The Formation of Eschatological Habitus: Multisensory Aesthetics and Religious Consciousness in Medieval Russian Orthodoxy Pembentukan Habitus Eskatologis: Estetika Multisensoris dan Kesadaran Religius dalam Ortodoksi Rus Abad Pertengahan
Main Article Content
Abstract
Studi ini bertujuan mengkaji pembentukan habitus eskatologis dalam Ortodoksi Rus abad pertengahan sebagai mode konstitutif kesadaran religius. Studi ini penting karena kajian terdahulu tentang eskatologi Ortodoks cenderung menekankan doktrin, simbolisme, atau muatan ikonografis, tetapi belum cukup menjelaskan bagaimana makna eskatologis distabilkan menjadi disposisi yang bertahan lama melalui persepsi, afeksi, dan pengalaman liturgis. Studi ini menggunakan desain kualitatif berbasis dokumen dengan pendekatan fenomenologis-hermeneutik. Data dikumpulkan melalui pembacaan dekat dan analisis dokumen terhadap teks himnografi dan liturgi terpilih, narasi hagiografis Rus Kuno, serta satu bentuk representatif ikon Penghakiman Terakhir, yang seluruhnya dibaca melalui edisi, terjemahan, dan deskripsi yang telah diterbitkan. Temuan menunjukkan bahwa motif eskatologis seperti kebangkitan, penghakiman, cahaya ilahi, pertobatan, dan kenosis distrukturkan secara estetik melalui ritme, repetisi, metafora, dan kontras simbolik. Makna eskatologis juga diperkuat melalui integrasi unsur visual, auditori, ragawi, dan simbolik dalam praktik liturgis, sementara struktur temporal berupa ingatan, antisipasi, dan pengulangan kalender gerejawi menyediakan mekanisme yang memungkinkan pengalaman tersebut menstabil menjadi habitus religius yang bertahan. Analisis ini bersifat interpretatif terhadap struktur tekstual dan visual, bukan pengukuran pengalaman empiris umat beriman abad pertengahan. Orisinalitas studi ini terletak pada perumusan habitus eskatologis sebagai sintesis perseptual dan simbolik yang menghubungkan himnografi, ikonografi, dan temporalitas liturgis dalam satu kerangka analitis. Temuan ini berkontribusi pada kajian agama dengan menunjukkan bahwa eskatologi dalam budaya Ortodoks abad pertengahan tidak hanya berfungsi sebagai doktrin, tetapi juga sebagai mode pembentukan kesadaran yang bersifat multisensoris dan temporal.
This study examines the formation of an eschatological habitus in medieval Russian Orthodoxy as a constitutive mode of religious consciousness. The study is important because previous scholarship on Orthodox eschatology has tended to emphasize doctrine, symbolism, or iconographic content without adequately explaining how eschatological meaning is stabilized into durable dispositions through perception, affect, and liturgical experience. The research employs a qualitative, document-based design with a phenomenological-hermeneutic approach. Data were collected through close reading and document analysis of selected hymnographic and liturgical texts, Old Russian hagiographical narratives, and one representative iconographic form of the Last Judgment, all read through published editions, translations, and descriptions. The findings show that eschatological motifs such as resurrection, judgment, divine light, repentance, and kenosis are aesthetically structured through rhythm, repetition, metaphor, and symbolic contrast. Eschatological meaning is also intensified through the integration of visual, auditory, bodily, and symbolic elements within liturgical practice, while temporal structures of memory, anticipation, and calendrical repetition supply the mechanisms through which this experience can stabilize into a durable religious habitus. The analysis is interpretive and concerns textual and visual structures; it does not measure the empirical experience of medieval believers. The originality of the study lies in its formulation of eschatological habitus as a perceptual and symbolic synthesis that connects hymnography, iconography, and liturgical temporality within a single analytical framework. These findings contribute to religious studies by showing that eschatology in medieval Orthodox culture functioned not merely as doctrine, but as a multisensory and temporal mode of consciousness formation.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
References
Alekseeva, G. V. (2022). Towards the ontology of Orthodox Christian art. Problemy Muzykal'noi Nauki / Music Scholarship, 3, 59–69. https://doi.org/10.56620/2782-3598.2022.3.059-069
Alfeyev, H. (2008). Eschatology. In M. B. Cunningham & E. Theokritoff (Eds.), The Cambridge companion to Orthodox Christian theology (pp. 107–120). Cambridge University Press. https://doi.org/10.1017/CCOL9780521864848.008
Amsikan, M. (2025). The role of symbolism in liturgical rites: A theological and anthropological perspective. The Journal of Academic Science, 2(2), 695–703. https://doi.org/10.59613/ces2qy04
Averintsev, S. S. (1975). Predvaritel'nye zametki k izucheniiu srednevekovoi estetiki [Preliminary notes on the study of medieval aesthetics]. In Drevnerusskoe iskusstvo. Zarubezhnye sviazi [Old Russian art: Foreign relations] (pp. 371–382). Nauka.
Bagshaw, H. B. P. (2016). Religion in the thought of Mikhail Bakhtin. Routledge. https://doi.org/10.4324/9781315604961
Bakas, I. T. (2024). The Greek Orthodox Church: A unique cultural and social environment. https://doi.org/10.1007/978-3-031-29819-6_5
Bakhtin, M. M. (1981). Forms of time and of the chronotope in the novel. In The dialogic imagination: Four essays, M. Holquist (Ed.), (pp. 84–258). University of Texas Press.
Baucham, R. (2009). Eschatology. In The Oxford handbook of systematic theology. Oxford Academic. https://doi.org/10.1093/oxfordhb/9780199245765.003.0018
Bergmann, S. (2018). Eschatology as imagining the end: Faith between hope and despair. Routledge. https://doi.org/10.4324/9781351060554
Bibikhin, V. V. (2007). Yazyk filosofii [The language of philosophy]. Nauka.
Bingaman, B., & Nassif, B. (Eds.). (2012). The Philokalia: The Eastern Christian spiritual texts. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195390261.001.0001
BLDR. (1999). The life of Basil the New. RAN. IRLI.
Bourdieu, P. (1977). Outline of a theory of practice (R. Nice, Trans.). Cambridge University Press.
Bourdieu, P. (1990). The logic of practice (R. Nice, Trans.). Stanford University Press.
Boyer, P., & Liénard, P. (2008). Ritual behavior in obsessive and normal individuals: Moderating anxiety and reorganizing the flow of action. Current Directions in Psychological Science, 17(4), 291–294. https://doi.org/10.1111/j.1467-8721.2008.00592.x
Canon to Blessed Basil, Fool-for-Christ, Moscow Miracle Worker. (2014).
Cizmović, M. (2025). The reception and criticism of Marxism in Russian religious philosophy (late 19th – first half of the 20th century). Voprosy Filosofii, 3, 137–146. https://doi.org/10.21146/0042-8744-2025-3-137-146
Cunningham, M. B., & Theokritoff, E. (Eds.). (2008). The Cambridge companion to Orthodox Christian theology. Cambridge University Press.
de Boer, W., & Göttler, C. (2024). The space-time dimension of early modern eschatology: An introduction. In The eschatological imagination (pp. 1–23). Brill. https://doi.org/10.1163/9789004688247_002
Dimitrijević, A., Todić-Jakšić, T., & Stojilović, I. (2025). Transcendent and aesthetic experience of religious art in Eastern Orthodox Christianity: Iconography, ritual, and psychology. Zbornik Radova Filozofskog Fakulteta u Pristini, 55(3), 267–283. https://doi.org/10.5937/zrffp55-57571
Džalto, D. (2017). Orthodox Christianity and contemporary art: An (un)natural alliance? Journal of Eastern Christian Studies, 69(1–4), 333–356. https://doi.org/10.2143/JECS.69.1.3214963
Ericek Maraşlıoğlu, Ş., & Kartopu, S. (2023). The effect of childhood on the formation of religious identity: A psychological analysis on the context of role theory. Cumhuriyet Ilahiyat Dergisi, 27(2), 684–705. https://doi.org/10.18505/cuid.1341334
Fugger, D. (2011). Symbol, action, experience: Perspectives on the ritual as object of the formation of sociological theory. Archives Européennes de Sociologie, 52(3), 393–421. https://doi.org/10.1017/S0003975611000166
Galabova, L. (2020). Between third and fourth dimensions: Sculptural forms in Eastern Orthodox Christian church art. Filosofski Alternativi, 29(4), 91–110.
Garton, A. D. (2019). “Very truly, I tell you, before Abraham was, I am”: A theological treatise on the concept of time in John’s Gospel. Modern Theology, 35(4), 617–637. https://doi.org/10.1111/moth.12476
Gronek, A. (2022). The Renaissance as a process: The transformation in Orthodox church painting in the Polish-Lithuanian Commonwealth. Kyivan Academy, 19, 113–151. https://doi.org/10.18523/1995-025X.2022.19.113-151
Gurevich, A. Y. (1984). Kategorii srednevekovoi kul'tury [Categories of medieval culture]. Iskusstvo.
Höfner, M. (2022). Cosmogony and eschatology. In Encyclopedia of religious ethics (pp. 437–444). Wiley. https://doi.org/10.1002/9781118499528.ch54
Hogg, M. A., Adelman, J. R., & Blagg, R. D. (2010). Religion in the face of uncertainty: An uncertainty-identity theory account of religiousness. Personality and Social Psychology Review, 14(1), 72–83. https://doi.org/10.1177/1088868309349692
Holy Transfiguration Monastery. (2005). The Menaion. Holy Transfiguration Monastery.
Ivanova, S. V. (2019). Voskresenie i soshestvie vo ad: Istoriya dvukh siuzhetov v khristianskom iskusstve [Resurrection and the descent into hell: The history of two subjects in Christian art].
Kaethler, A. T. J. (2025). Eschatology at the beginning of the third millennium.
Kang, C., & Yu, H. (2022). A Lotmanian semiotic interpretation of cultural memory in ritual. Semiotica, 245, 157–173. https://doi.org/10.1515/sem-2019-0085
Kariatlis, P. (2024). The feast of the Dormition of the Theotokos. Public Orthodoxy. https://publicorthodoxy.org/2024/08/15/the-feast-of-the-dormition-of-the-theotokos/
Kasap, Ö. (2021). Thoughts on the notions ritual and rituality and the semantical alteration of rituality. Milli Folklor, 17(131), 123–130.
Knorre, B. K. (2013). Icon of the Last Judgment: A detailed analysis. National Research University Higher School of Economics.
Kormina, J. (2023). Fervent Christians: Orthodox activists in Russia as publics and counterpublics. Religion, State and Society, 51(1), 11–29. https://doi.org/10.1080/09637494.2023.2174757
Kravchenko, E. V. (2023). The making of faith: Human intentions and material influences in the Orthodox Christian practice of iconography. Material Religion, 19(1), 55–78. https://doi.org/10.1080/17432200.2022.2161247
Kuca, Z. (2023). The phenomenon of holiness in the system of religious-philosophical views: The Orthodox Slavonic view. European Journal of Science and Theology, 19(5), 39–58.
Kupari, H. (2023). The ambiguous role of materiality in transitions to Orthodox Christianity in contemporary Finland. Religion, 53(2), 314–334. https://doi.org/10.1080/0048721X.2023.2174914
Larin, V. (2013). The opening formula of the Byzantine Divine Liturgy, “Blessed is the Kingdom,” among other liturgical beginnings. Studia Liturgica, 43(2), 229–255. https://doi.org/10.1177/003932071304300203
Liénard, P., & Boyer, P. (2006). Whence collective rituals? A cultural selection model of ritualized behavior. American Anthropologist, 108(4), 814–827. https://doi.org/10.1525/aa.2006.108.4.814
Lidov, A. (Ed.). (2006). Hierotopy: Creation of sacred spaces in Byzantium and medieval Russia. Indrik.
Likhachev, D. S., Dmitriev, L. A., Alekseev, A. A., & Ponyrko, N. V. (1997). Biblioteka literatury Drevney Rusi [Library of Ancient Rus literature]. Nauka.
Manoussakis, J. P. (2007). God after metaphysics: A theological aesthetic. Indiana University Press.
Manoussakis, J. P. (2014). Friendship in late antiquity. In Ancient and medieval concepts of friendship (p. 173).
Maton, K. (2010). Habitus. In Pierre Bourdieu: Key concepts (pp. 49–66). https://doi.org/10.1017/UPO9781844654031.006
Mellor, P. A., & Shilling, C. (2014). Re-conceptualising the religious habitus: Reflexivity and embodied subjectivity in global modernity. Culture and Religion, 15(3), 275–297. https://doi.org/10.1080/14755610.2014.942328
Mikulka, T. (2024). On the reception of the Dionysian corpus in early Slavic literature. Scripta & e-Scripta, 24, 87–119.
Ouspensky, L. (1960). Essai sur la théologie de l'icône dans l'Église orthodoxe. Éditions de l'Exarchat patriarcal russe en Europe occidentale.
Pentcheva, B. V. (2010). The sensual icon: Space, ritual, and the senses in Byzantium. Pennsylvania State University Press.
Prilutskii, A. M. (2025). Eschatological religious subcultures in the context of the apologetic mission. Quarterly Journal of St. Philaret's Institute, 17(54), 226–236. https://doi.org/10.25803/26587599_2025_2_54_226
Prokhorov, G. M. (2002). Dionisii Areopagit. Poslanie 10 [Dionysius the Areopagite. Epistle 10]. In Dionisii Areopagit. Sochineniia; Maxim Ispovednik. Tolkovaniia (pp. 854–859).
Robbins, D. (2012). Theory of practice. In Pierre Bourdieu: Key concepts (2nd ed., pp. 26–40).
Schmemann, A. (1966). Introduction to liturgical theology. Faith Press.
Setten, G. (2009). Habitus. In International encyclopedia of human geography (Vol. 1–12). https://doi.org/10.1016/B978-008044910-4.00954-8
Shnirelman, V. A. (2021). The “end of times” and the antichrist’s arrival: The Orthodox dogmas and prophecies in the national-patriotic media in post-Soviet Russia. Changing Societies and Personalities, 5(2), 233–251. https://doi.org/10.15826/CSP.2021.5.2.131
Stefanovich, P. S. (2023). The place of Rus' / Russia in the eschatological concepts in Muscovite state of the late 16th – mid 17th centuries. Studia Slavica et Balcanica Petropolitana, 2, 29–52. https://doi.org/10.21638/spbu19.2023.203
Tadesse, G. W. (2024). The influence of the Ethiopian Orthodox Church in social, economic, and political aspects: A historical perspective. Cogent Arts & Humanities, 11(1). https://doi.org/10.1080/23311983.2024.2364489
Tallon, P., & Walls, J. L. (2013). Eschatology. In The Routledge companion to modern Christian thought (pp. 435–444). https://doi.org/10.4324/9780203387856
Tarabrin, R. (2022). Russian Orthodox Church on bioethical debates: The case of ART. Monash Bioethics Review, 40(S1), 71–93. https://doi.org/10.1007/s40592-022-00154-8
Tonna, M., Marchesi, C., & Parmigiani, S. (2019). The biological origins of rituals: An interdisciplinary perspective. Neuroscience and Biobehavioral Reviews, 98, 95–106. https://doi.org/10.1016/j.neubiorev.2018.12.031
Tonna, M., Ponzi, D., Palanza, P., Marchesi, C., & Parmigiani, S. (2020). Proximate and ultimate causes of ritual behavior. Behavioural Brain Research, 393. https://doi.org/10.1016/j.bbr.2020.112772
Uspenskii, V. (1911). Sbornik tserkovnykh pesnopenii s perevodom ikh na russkii yazyk. Sinodalnaya tipografiya.
Walter, G. (2009). John Panteleimon Manoussakis: God after metaphysics: A theological aesthetic. Philosophy in Review, 29, 43.
Ware, K. (1969). The Festal Menaion. Faber.
Weidner, D. (2022). Historicism, Religionsgeschichte, and the rhetoric of eschatology. Modern Intellectual History, 19(4), 1191–1207. https://doi.org/10.1017/S1479244321000317